A young girl can be seen standing alone at the end of the train station platform. Who's she with? Is she travelling alone? Engrossed in her own world, she is still and focuses on the phone she carries. As a concerned member of the public approaches, her form appears to digitize and fragment into cubes. Is this some form of reverse augmented reality?
Maya is a sculpture which acts as a three-dimensional pixelated portrait. As with a heavily pixelated two dimensional image made of squares, from a distance the sculptures can be easily read. As the viewer gets closer the object appears to fragment into cubes.
The artwork is installated on platform 1 at Bristol Temple Meads train station.
Every occasion of our lives now seems to be documented with the plethora of cameras we carry around with us. Images are shared and distributed online for our family, friends and the public to see. Unsure of the implications of this life online, will photos of us remain on the internet forever? Or will they simply get lost and become anonymous in the billions of images we upload each year? With the permission of Luke Jerram's daughter, this portrait raises some of these issues.
"From the age of 3 my daughter Maya could use an iPhone. For her the technology was like a pencil, just another everyday tool to be used. Born into this world, for her, the digital revolution and the speed of technological development is not yet apparent." Luke Jerram
This project has stemmed from Jerram's ongoing research of visual perception and optical illusions. The fact that he is colourblind has given him a natural interest in exploring "the edges of perception".
Consider this artwork in relation to The New Aesthetic
Read about this optical illusion of 'block masking'.
Find out about the history of pixelation.
Read about Pixelation in crime imagery.
Read an academic paper on pixilated face recognition
"I had the idea to create pixelated sculptures about 10 years ago. Back then I tried to make the artworks using cubes of painted wood, but the results were disappointing. The opportunity arose this year to make an artwork for Bristol Temple Quarter using more up to date technologies, which a decade ago weren't financially accessible".
To make this artwork Maya was scanned using an Xbox kinect. Her head was scanned at the Machine Vision Laboratory (MVL) within the University of West of England. From there the body scan was then pixelated into cubes known as voxels. Then the model was created from precisely (waterjet) cut, sheets of aluminium. Over 5,000 small, 12mm square coloured stickers were then printed and painstakingly fixed onto this aluminium surface.
Printing was completed at the Centre for Fine Print Research (CFPR), University of West of England where Luke Jerram is a Senior Research Fellow.
Maya is part of Bristol Temple Quarter commissions coordinated by Watershed, Knowle West Media Centre and MAYK, with support from Bristol City Council and Arts Council Engand. They will pop up, excite and reinvent perceptions and potentials.
Centre for Fine Print Research (CFPR) University of West of England.
Gary Atkinson at the UWE Machine Vision Laboratory (MVL)
CAD - Richard de Lancey - Nu Desine
Paul Muncaster and Joss Murray - technicians
During the day, when there are many people around, she can blend into the crowd. At night though, she looks really vunerable, out of place and alone. A train was recently held up when the train driver saw a vunerable young girl standing at the end of the platform. Security were called but the problem was quickly resolved when staff explained that the girl was just a sculpture.
Maya became slightly wobbly, caused by dozens of people hugging the sculpture. The artwork has recently been rebolted to the ground.
Joanna Papageorgiou was one of the first to see the new sculpture after it was revealed – the latest in the Bristol Temple Quarter Commissions.
She said: “I explored Platform 3, all the way from the sign saying Platform 4 to right by Bonaparte’s but failed to spot the 3D sculpture which had been getting so much publicity. I finally asked two members of staff by the ticket barriers and one of the men to pointed to a little girl with a red jumper.
“There was little to distinguish the child from the people surrounding her but as I moved closer I watched the face become distorted and the body become a little boxy.This most amazing creation seems bewildering even up close.The man next to me was filming her from every position and I could see why; she looks different from all angles. It’s a strange sight to see this pixelated creature made from small cubes; as much beguiling as mesmerising. I hated to leave her.”